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Never Judge A Book By Its Movie

Never judge a book by its movie


I’ve written before about some of my favorite books that have become great movies, in a post I called Movies That Move Me.  Today I’m going to talk about the same thing, sort of. Ya see, I’m a little compulsive. If I see a movie, and discover it was based on a book, I HAVE to read that book. This has, on occasion, been an issue, finding obscure works. Thank goodness I live in the same city as Powell’s! This works both ways, however–I have to see movies based on books I’ve read. And this is not always as fun, since film-makers often destroy my favorite works. Today I’m posting about a few movies that were as good as their books. I’ll talk about some of those that weren’t another time. Oh, by the way, I am leaving the works of Stephen King out of this list completely; I feel he deserves a list all his own. Here we go!

The Good  (in no particular order)

Cold Comfort Farm 


  The novel, by Stella Gibbons, was published in 1932. It parodies the romantic novels   of the time, and is truly one of the funnier things I’ve read. Young Flora Poste,  recently orphaned, must choose which of her family members to live with; she  goes to stay with the Starkadders at Cold Comfort Farm, after being told they  must “atone for the wrongs done to her father.” She heads to Sussex, and begins  to straighten out the mess on the farm immediately, rearranging lives, and  teaching modern lessons. She even gets Great Aunt Ada (who “saw something nasty in the woodshed”) to come out of her room, which she hasn’t done in decades. With the aid of her friend Mary back in London, and ‘The Higher Common Sense’, which is her handbook, Flora solves everyone’s problems.


The film, made by the BBC in 1995, stars Kate Beckinsale, Joanna Lumley, Rufus Sewell, Ian McKellen, and Stephen Fry. It is a faithful rendition of the book, and quite well-made, as well. The casting is excellent, and, as in most BBC films, the costumes are perfect. Of course, it’s worth a watch just to see Rufus Sewell, as Seth Starkadder; he’s quite a hunk, and shirtless through a good deal of the film!

I will grant that not everyone will understand why Cold Comfort Farm is funny, but even if you don’t know the style being parodied, it is still worth reading and watching.


The Importance of Being Earnest


“All women become like their mothers. That is their tragedy. No man does, and that is his.”

“Indeed, no woman should ever be quite accurate about her age. It looks so calculating.”
“Thirty-five is a very attractive age. London society is full of women of the very highest birth who have, of their own free choice, remained thirty-five for years.”
Oscar Wilde, The Importance of Being Earnest
What can I say about The Importance of Being Earnest? Oscar Wilde’s farce about mistaken identities, secret romances, and the complications of love, family and society is still as amusing as when it was first published in 1895. Gwendolyn and Cecily are in love with the same (imaginary) man, Ernest. Jack has been wooing Gwendolyn using the name Ernest; Algernon has also courted Jack’s ward, Cecily, using the same name. When all four end up at Jack’s country home one weekend, the trouble begins, as both “Ernests” must win back his beloved. Only the arrival of Lady Bracknell, Gwendolyn’s fierce mother (and Algy’s aunt), can bring the chaos to a suitable ending.
I read this first in ninth grade, and later performed parts of it in theatre classes. (I was an awesome Lady Bracknell!) Oscar Wilde rocks, and that is all.
There have been several film versions, but I prefer the 2002 version starring Colin Firth as Jack, Rupert Everett as Algy, Reese Witherspoon as Cecily , Frances O’Connor as Gwendolyn and Dame Judi Dench as Lady Bracknell. This was the third time Judi Dench had played Lady Bracknell –she was cast in a BBC radio version in 1994, and a National Theatre revival in 1982.
Here’s a clip–Jack/Ernest, being interviewed by Lady Bracknell after he has asked to marry Gwendolyn.





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